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We are fabricators, and not designers, bringing to birth what others
conceive. Yet we believe we can make a case for why wood+ceilings
matter as an architectural idiom, because to us wood is more than
just a material; ceilings more than just a surface. Helping architects
achieve great design in wood ceilings is our passion.
John Naisbitt1 anticipated our high-tech
lives will seek high-touch environments—the tactile and real
needing to counterweight the digital and virtual. As a finish material,
wood welcomes this balance. Its organic voice whispers the textures
of nature. As the Tree of Life dwelt in the garden in the beginning,
wood still draws us away to a place that recollects our restful,
secure and ordered roots. |
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"A slice through a tree is called
a 'cookie'? I thought that was a computer gizmo. Wow, wood really
is high-tech."
"No, Frank. It's high-touch, high-touch." |
Designers are responding to this cultural shift away from the sterile
and cold forms of Modernist Architecture toward the post-modern
epoch of eclectic materials and non-modular shapes. Interior spaces
are being designed using a wide variety of organic finishes, from
unfinished stone, to natural fabrics, to wood.
Beyond being just a matter of aesthetic preference, Naisbitt suggested
that unless high-tech can be counter-balanced with high-touch, human
beings will reject new technology. Today we see the proliferation
of high-touch elements in our culture—even as we pursue digital
technology. The evidence is all around us, from the growth in popularity
of aromatherapy, gourmet coffee, fine cigars, acoustic design in
buildings, and in the use of natural materials in architecture.
All of these are examples of an increased desire on peoples
part for tactile experiences in a proliferating electronic world.
Wood finishes are rich, warm and versatile, holding a unique place
in the architectural palette.
If wood represents an architects design medium, like paint
to an artist, then let the ceiling surface represent a canvas. Dubbed
the 3rd Surface (with floors and walls), ceilings uphold a unique
place in architecture and interior design. This is because ceilings
alone of the three surfaces have the possibility of monolithic treatment.
The other surfaces are typically broken, covered or obstructed.
The ceiling, however, is typically expansive
like a canvas.
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| "Phil, I like your design... but
havent you forgotten the 3rd surface?" |
Perhaps the ceiling represents the sky, a place of signs. (The
etymology of ceiling derives from ceil, the Latin word for sky).
Blue and sunny or gray and cloudy, the sky plays a fundamental role
in the outdoor landscape. The same holds true for the ceiling in
the interior designscape.
Brunelleschi's Dome, with its expansive ceiling, is credited with
reinventing architecture.2 It is the feeling
of volume, accented by choice-of-materials, that confer on the ceiling
this unique, actually uplifting, role in the built environment.
The collaborative process of design unites designer and craftsman,
architect and manufacturer. This process culminates in the execution
of these designs, as we supply our operational and technical knowledge,
in hand with expert ceiling contractors, to their installation.
In the tradition of the guilds, 9Wood is a Master Fabricator. Our
team has been helping designers bring these two elements successfully
together—wood+ceilings—in a wide variety of custom designs
for many years. We would like to help you realize your wood ceiling
project—and fulfill John Naisbitt's prediction: high touch
meets high-tech. |
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Natural
Materials |
Integrates & utilizes high-touch
elements |
Acoustic
Absorption & Reflection |
Sound control using ceiling surface |
LEED
Credits |
Contributes to Green-building efforts |
Attaches
using standard T-Bar Grid |
Lower installation costs |
Specifies
in Division 09 05 00 |
Subcontracts go to ceiling
trade experts |
Choice
of many species |
Variety in color and grain palette |
Multiple
design options |
Allows flexibility in design expression |
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